Firstly, a little notice. There are a handful of ‘National Ignition’ heavyweight prints remaining, so if you’ve been thinking about grabbing one, now’s the time. Once they’re gone, they’re gone. Each print comes with an instant download, too.
Secondly, I’m pleased to announce that I’ll be releasing a new track on a forthcoming charity compilation. Entitled ‘Touched’, the compilation is a huge bumper release featuring many familiar names within the electronica milieu, including many favourites of mine, such as The Future Sound of London, Plaid, Brothomstates, Arovane, Datassette, and dozens more (here’s the full line-up). It’s a staggering compilation, with the aim of raising money for Macmillan Cancer Support. It’s a wonderful cause to be a part of, and I can’t wait to announce its release.
Please help spread the word, like the Facebook page, follow on Twitter, and stay tuned!
A DIY 6-voice poly digital/analogue hybrid. Checkout those voice cards underneath.
Been enjoying this little project, spending the past week building a Mutable Instruments Ambika for a friend. Digital wavetable oscillators with 4-pole analogue filters, like the basic Shruthi, but with 6-voice polyphony. Brimming with character, and serious bang for buck if you can handle a soldering iron. Just don’t get hung up about about the aliasing, as it’s all part of the charm. Shall endeavour to get some sound online soon.
Please bear with me while I update my site theme. It’ll probably be rather spartan while I figure out how to flick various bits back on, as well as fiddle with the overall styling.
By the way, I’ve added our Snow Palms album to my Bandcamp page, so it’s also embedded on the music page.
Had to hack down a few weeds to reach my poor, neglected blog, and I found an errant pigeon nesting over the ‘New Post’ button. Actually, the whole site could use a lick of paint, even after ridding it of the various tick-like ‘social’ icons I’d amassed over these past few years. I’ll spruce it up at some point, or at the very least make it more responsive for tablet viewing and such.
Anyway, here’s a new track for your listening pleasure (or seeing/tasting/ pleasure for the synaesthetes out there, I guess). There’s a little blurb about the track itself on SoundCloud, which I needn’t duplicate here, but it follows my current ethic of making do with less, or at least trying to do more with less, as far as musical gear and software are concerned.
A remix of the excellent London-based seven-piece, Revere.
All those who pre-ordered the album will already have a download link sitting in their inbox, but for everyone else, National Ignition is released today! It’s available on Bandcamp for full streaming in its entirety, as well as offering a 24-bit lossless FLAC option for the download. Of course, if you’d prefer to download elsewhere, it’s also online at iTunes, Google Play, Amazon, Xbox Music etc.
Three-odd years and one PhD later, I’m pleased to say that I have another Ochre album due for imminent release. National Ignition will be available for download on the 21st of January 2013, from all the usual download stores (I’ll put up direct store links when I get them).
It’s available to pre-order on Bandcamp now, which will allow you to download the first track immediately (the rest of the album being unlocked on release; you’ll receive email notification as soon as it’s available). The Bandcamp edition also features a 24-bit lossless FLAC option.
Like Early Learning before it, National Ignition received exquisite design treatment by nkurence. The album will remain download-only for the time being, but I’d like to release a vinyl version once funds permit, at the very least to do the artwork justice.
At the start of the year I completed a project with composer David Sheppard, collaborating on his Snow Palms album, ‘Intervals’ (Village Green). David’s a composer of beautiful minimal, idiophone-based music in a similar vein to Reich, Glass et al, so I couldn’t resist the opportunity to add my own production flourishes to some of the tracks he’d laid down, working on six of the eleven album tracks in the end. I also got to score for a string quartet, which isn’t something I regularly get to do, so that was quite the welcome challenge.
A review of the album surfaced today on Fluid Radio — check it out to read a take on what we’ve done (though for whatever reason, I’m not mentioned there — I’m involved, I promise!).
It’s due for release on 19th of November. For more info/press copy and audio excerpts, please visit the release page on Village Green.
The animated documentary I scored at the start of the year, Centrefold, has now been publicly released, so you can either watch the Vimeo embed below, or head over to www.thecentrefoldproject.org to watch and comment.
It’s officially an award-winner too, winning ‘Best Animation’ at the 2012 SCINEMA Film Awards!
Centrefold has been busy sparking debate in the media, getting a mention on BBC Radio 4, a feature in The Huff Post, Rude Magazine, plus plenty of local media coverage around the North East. It’s wonderful to see it making waves. If you’re interested in following updates to the project, keep an eye on their Facebook page.
Oh, and I hope you like the music/sound design, too!
There’s a nice little interview with me currently running at Real Eyes [direct link]. As well as featuring excerpts from our dialogue, the article also includes quotes from previous interviews I’ve done (it’s always odd reading old interviews; “did I really say that?”). Anyway, it makes for a nice primer on what I’m doing, why I’m doing it, and where I’ve come from.
While you’re there, you may as well catch the interview with Hecq, too!