I’ve had to suspend my Bandcamp subscription temporarily in order to switch currencies. Sadly, this means previous subscribers will have to resubscribe manually after I reactivate it. This really stings, and I’ve been putting it off for as long as possible, but unfortunately there was just no way around it (I refuse to be nickel and dimed by PayPal’s currency conversions, on top of their own payment fees, on top of Bandcamp’s platform fees). But it’ll be active once again soon, with new material to follow…
In an effort to rescue a few Lemodie CDs sitting in CD Baby’s warehouse, I’ve dropped the price to $5. Should they not sell quickly enough, they’ll be sent away for recycling, which would be a shame after paying to ship them across the Atlantic. I’d rather avoid this pointless manufacture/demanufacture cycle and have it actually reach someone’s music collection instead.
If you’ll excuse a little auto-backpattery, I was very pleasantly surprised to notice that the imminent ‘Midsummer’ 15th Anniv. repress is featured in this week’s Bandcamp Daily round up. Thank you, Zoe Camp, for the lovely write up.
[C]onjuring the enduring miracles of day-to-day life on our dying planet.
We’re inside our last week of preordering now before Friday’s release. Head over to Bandcamp if you fancy a copy.
I’m sure the rather fetching image above is self-explanatory, but this year marks the fifteenth anniversary of A Midsummer Nice Dream, originally released on London’s Toytronic Records in late 2004, now due for a spruced-up rerelease on Barcelona’s Lapsus Records. Lapsus have been extremely supportive of my work over the years, so it’s a pleasure to work with them to deliver a special rerelease of ‘Midsummer’ on double vinyl and digital.
The release is currently available for preorder on Bandcamp ahead of its June 7th release, with the physical release comprising double coloured vinyl and a beautiful full-colour print. The redesign has been handled by Nathaniel Reeves (marking another anniversary, incidentally – ten years working together!), who has created a gorgeous and wonderfully intricate design for the sleeve and print insert. You can check out some more detailed shots of Nate’s brilliant work on his Behance page.
I’ve also used the opportunity to bundle together some extra Midsummer-contemporary music, including a vinyl side of tracks that were previously only available online: ‘In Waves’, ‘Indivisible’ and ‘The End of the Rise’. The digital edition features a further three bonus tracks: ‘Airweight’, ‘Flexenbend’ and ‘Passing Landscapes’. All tracks have been remastered for the occasion by John McCaig, of panicStudios (who previously mastered Like Dust of the Balance and Petl).
I’ve created a microsite for Project Caelus, which I hope will help shed some light on the album’s inspiration. Try leaving the site open while you play back the album from a high quality source. The web app will monitor audio playback using your computer’s microphone, decoding pockets of data that I’ve woven into the audio, to reveal sites of interest for each track.
There are a few caveats though. Given the varied cocktail of hardware and browser combinations out there, your success decoding the audio will undoubtedly vary greatly. I’ve successfully tested this on a Macbook Pro and PC running Chrome and Firefox, but have had no such luck with either Edge or Safari (nor with my iPhone). But even if your browser appears to successfully run the app, you might find that either your speakers can’t play it back cleanly, or your microphone can’t pick it up accurately (your equipment needs to be able to accurately convey and receive very high frequencies, as I’ve used a modulation frequency centring around 19kHz). Most mp3 sources filter everything out above 16kHz unless you specifically ask the encoder not to, so chances are these won’t be of sufficiently high quality to retain the encodings. Bandcamp streams won’t cut it, but Spotify streams and FLAC playback should be good enough.
I do hope you’re able to have some fun with it, but if it doesn’t seem to work for you, I’ve tried to make the site itself enough of a clue as to the general theme of the album.
My new album, Project Caelus is out now, available for download on Bandcamp in a variety of formats up to 24-bit FLAC.
Also available on:
Be sure to check out Nate’s design breakdown too, with sketches, alt. renders and timelapses of his incredible artwork. It’s fascinating to watch his design process evolve from 2D sketches through to photo-realistic models and renders, creating a remarkable body of work in addition to the finished cover art.
A preview of the next release, Project Caelus, with some insight into Nate’s design process.
Due for release on Bandcamp next week, with Spotify etc. to follow in the New Year.
Touched Music released this Roel Funcken remix album a few days back, called Dear of the Yog, which includes a couple of contributions from me. The first is a collaborative effort between me and Roel, which was initially a remix of a band whose name has unfortunately completely escaped me, which ended up being retitled with the original elements removed, so that we could release it separately.
The second piece is my remix of Roel Funcken’s Android Robson, in which I’ve cherry-picked a melody and rebuild the track around it with some Evolver and guitar pedals.
As ever with Touched, all proceeds from the album sales go to charity, which in this case is the Soi Dog Foundation, a charity that rescues dogs from the dogmeat trade in Asia. Anyone who knows Roel knows how much of an animal lover he is, so it’s been a pleasure to do something to help him help abused and maltreated Dogs.
In addition to the usual download formats, DotY is also available on a limited digipak CD.
Here are a couple of videos (should embed as a playlist) of me jamming away on my beloved Dave Smith Evolver. It’s a thoroughly unique and characterful hybrid analogue/digital monosynth, which marked Dave Smith’s return to synth manufacturing back in 2002. A modern classic.
The first video’s more of a Mouse On Mars-style noodling, full of grit and filter FM. The second’s a more minimal, melodic affair, building up a nice chord sequence (while the synth’s monophonic, you can address each OSC individually with the built-in four-channel sequencer). I’ve chucked the editor up on screen so you can see what’s going on, as the matrix interface is rather opaque at a glance.
I forgot to mention this here at the time, but I’ve also (fairly) recently remixed Karsten Pflum, reworking his track, ‘I Am Ice’. It’s taken from Pflum’s excellent Love Canticles album, released on Touched Music. As with all things Touched, all proceeds go to charity.